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How to Choose a Photo for a Portrait Tattoo

Writer: James Brennan Tattoos
James Brennan Tattoos
15 hours ago
2 min read

When someone sends me a photo for a portrait tattoo, the first thing I look at is the expression. With a family portrait, it might be the way your dad smiles without showing his teeth or the look your nan gives you just before she laughs. Those are the details that make the tattoo feel like them.

Start with the photo that feels most like them

If you’re choosing between several photos, send me the one you keep coming back to. Tell me what you like about it. Then send one or two clearer photos if you have them. A second angle might help me see the shape of the nose or the line of the jaw when the first photo is soft or in shadow.

If all you have is an old family print, send a scan or take a clear photo of it in daylight, with the camera square to the print. Keep the original image handy. Filters and heavy sharpening can change the small details around the eyes and mouth.

Look at how the light falls across the face

For black and grey realism, I look for a photo where I can see how light moves across the forehead, nose and cheekbones. That gives me a starting point for the shadows and highlights in the tattoo.

If you’re taking a new reference photo, try standing beside a window and turning slightly towards the light. Take a few shots with small changes in angle. It’s worth getting one when the person relaxes between poses. That’s often when you catch the expression you were looking for.

Tell me where you want the portrait to sit

Placement affects how I frame the face and how much space I have for detail. A standalone portrait on the upper arm gives me different options from a portrait that needs to fit into an existing sleeve. A clear photo of the area helps me see the space we’re working with.

If you’re planning a custom portrait tattoo in Liverpool, send me your favourite photo, any other references you have and an idea of where you’d like it placed. Tell me what makes that first photo feel right to you. I’ll let you know which image I’d work from and how I’d approach the piece.

 
 
 

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